AERO CLASSICS
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THIS PAINTING WON A MAJOR WEST COAST ART
SHOW IN 1973
IT WAS SELECTED AS THE BEST ART IN ALL
CATEGORIES
IT IS NOW OWNED BY A PRIVATE COLLECTOR
AND IS NOT FOR SALE
Jack E Young's Career
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Jack E Young is a world class artist who has the rare innate ability to portray his subjects with an unmatched technical correctness. Although aviation is the love of his life, Jack is also a renowned large canvas landscape aritst and has been represented by galleries including: Zantman Galleries (Carmel and Palm Desert, CA), ADI Gallery (San Francisco, CA), Young's Gallery ( San Jose, CA ), Windsor Gallery (Miami, FL), Pickard Gallery (Oklahoma City, OK), Chabot Gallery (Campbell, CA), and MGM Fine Arts Gallery ( Reno, NV). Many of Jack's paintings adorn the walls of large bank and corporate board rooms, and are prized by private collectors across the country. Jack's aircraft portraits are unique in aviation art. The elegance of the flying machine itself is his central focus. He uniquely portrays his subjects with a perspective and setting that provide the viewer a true appreciation of the majesty of flight. Jack is now into his eighties and is no longer painting. He is settling comfortably into retirement. In answer to requests for prints of his work, Jack has decided to offer these three outstanding prints from his personal collection. |
JACK'S STORY
JACK THE KID: One thing I can't remember is not having a desire to draw. It seems to have always been there. I was also the kid that after discovering airplanes would walk 5 miles to the airport and 5 miles back, just to be near any kind of flying machine and the heroes that flew them. My youth was filled with catering to my passion of drawing, sketching and building model airplanes. |
Just out of high school and along came world war II and my induction into the Army Air Corps. By joining the Air Cadets my dream of flying was about to be realized. However, fate would have it that the Air Corps decided they had enough pilots, so out and into Gunnery and B-24 bomber training. It was then off to Europe and the 389th Bomb Group, 565th Squadron for my first mission on January 1st, 1945.
The following 19 missions over the Continent varied from milk runs to many ways to get yourself hurt beyond repair. Then came number 20. This was my last mission, March 24, 1945. We left our base at Hethel, England, on a low level mission to drop supplies to our paratroops across the Rhine River in Germany. Viewing England, the English Channel, France, Belgium and Germany at low level in a B-24 bomber nose turret was unforgettable. As we approached Wesel and the drop zone, the activity became intense. Streams of transports, gliders landing (some crashing), two German soldiers running and diving over a stone wall as our 14 bombers roared overhead. We just cleared the chimneys of the devastated town of Wesel, then the drop zone appeared, an open field bordered by forests on both sides. It was empty. The paratroops were not there. Our lead plane ordered to make a large 360 degree turn and then drop the supplies, paratroops or not. We started across the field again at about 150 feet altitude. Suddenly, over the noise of the engines, I heard what sounded like the banging of pots and pans. Puzzled by the racket, I began looking about and was surprised to see holes appearing in the engine nacelles and wings. The woods were loaded with German troops, (they couldn't miss with a hand gun!). Tracers flashed up from 20 mm cannons. The first shots hit the aircraft to our right, blowing the number two engine completely off. They veered left 20 feet above in an almost vertical left bank and disappeared from view. The cannons next hit the lead aircraft, blew off the entire left fin and rudder (they staggered off to our right). We were next. a few seconds had elapsed from the time the shooting started before my mind began to function. We had definite orders not to shoot at anything on the ground (afraid we might shoot our own troops). I flipped on my gun switches, swung the turret toward the cannons. Suddenly my turret shattered. I will always remember two tracers coming slowly like Roman candles slashing into my turret, the Plexiglas shattering, the metal bent and torn as the projectiles entered the bombardiers compartment behind me. The pilot was shouting over the intercom, "we're crashing!" I had difficulty opening the turret doors but forced them enough to get through and was relieved to see the bombardier unhurt - we just stood grinning at each other. Getting to the flight deck was quite interesting as the un-dropped load of supplies in the bomb bay was on fire, but we got through with just a little singeing. Once into my crash landing position behind the co-pilot, I could see we had trouble. Number one engine was feathered, number two was on fire, number three was running wild, number four was on fire and wind milling. We had no rudder or elevator controls. A large field with a row of trees along a road appeared directly in front of us. As we reached the trees, the aircraft rolled, the wing smashing into them. I regained consciousness to the sounds of explosions, bullets firing, English and German voices, and someone cutting off my flying jacket. I couldn't see a thing - I passed out again. (My eyes were swollen shut, my eyelashes, eyebrows and hair were burned to stubble). The next time I came to, my head was completely bandaged with only a slit for my mouth, both hands bandaged up past the wrists. I was questioned by someone. I had a severe concussion, burns on my head and hands, a semi fracture of the skull, a very painful back, a collapsed lung, a deep gash across my right eyebrow, a gash on the back of my head. Only the copilot, the bombardier and myself survived the crash. The bombardier died later. To this day, I couldn't tell anyone how I got out of the airplane. In the hospital, I was told we had crashed into an ammunition dump which explains the explosions I heard. My time in the service of our country was completed by spending a few weeks in hospitals in Paris and England. |
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Several people were killed that were trying to contain the fires, including some German farmers that were trying to help out. A farmhouse about 1000 ft. away had the roof blown off and the trees we crashed through were blown flat. The aircraft right wing and nacelles is just visible on the very right side of the picture. |
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The explosion caused a crater 100 yds. long, 25 yds. wide and 15 ft. deep with water welling up from the shattered rock strata. |
Released from the hospital and back to Hethel Airbase on the train I created a lot of interest from other passengers. The wounds, the swelling and the burns were very visible, I answered a lot of questions. I now understand why I heard the bullets firing, the small explosions and the German voices in my semi-conscious condition right after I was pulled from our crashed aircraft. I can never thank the fellows enough that saved me from the crash. They received the soldiers medal for their courage, it should have been the congressional medal of honor. JACK THE ARTIST: My plan to earn my fortune in the lumber industry was thwarted by the injuries to my back, so it was off to school with the aid of the GI bill. First to the University of Oregon studying art and then to the Art Center School in Los Angeles studying Industrial Design. My first job out of school was with North American Aviation as an ink tracer. Within six months I was one of three artists doing full color paintings for the company. Three years for North American, then off to Boeing for five years. At Boeing I did aircraft paintings and designed exterior markings from many of the worlds airlines. After Boeing, I went to work for the Lockheed Missiles and Space Division in Sunnyville, California. For Lockheed, I painted many inner and outer space paintings, including man's first walk in space which appeared in many newspapers and magazines. During this period I entered three TIMA national art competitions and won all three. I had entered a TIMA competitions earlier (and also won), which amounted to four first place awards for the four times I entered the competition. A desire to be closer to airplanes then took me to Aero Union Corp. in Chico California. Aero Union was operating converted military aircraft for special purpose operations and aerial fire fighting. Aero Union then owned the largest fleet of privately owned B-17's in the world (seven in all). At Aero Union, I did just about everything from bucking rivets, to running new wiring, to actually applying paint to an airplane. In the summer I was privileged to fly co-pilot on one of the B-17's, putting out wild fires all over the Northwest. An opportunity to do paintings of new and emerging high technology took me to Lawrence Livermore Laboratories. There I spent one of the most prolific periods of my life. While working full time, I decided to do some landscape paintings for various art galleries. In one year, I ended up painting and selling 158 landscapes. Four years of freelance painting ensued, then It was off to new challenges at Sandia National Laboratories and more high tech paintings. Sandia, art galleries, commissions from individuals and corporations kept me busy for the next 11 years to retirement. So there you have it. My Aviation Art hangs in the Air Force Museum, the Navy Air Museum and The Pentagon. My most prolific days are behind me, but just maybe I can share some of the works in my private collection through the prints I'm offering. |
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Lake Oswego, OR 97034
PHONE: 503-310-8169